Category: Mixed Media

comparison of 2 mixed media cards: one beginner level and a similar one that is intermediate level with additional layers. 3 Mixed Media Layers to Try (Beyond the Basics Techniques That Actually Work)
cardmaking · Mixed Media · Tutorial

3 Mixed Media Layers to Try (Beyond the Basics Techniques That Actually Work)

Karen Brown1 Comment

Simple layering techniques to add depth, texture, and interest to your mixed media cards—without the overwhelm.

Mixed media card with layered watercolor background, texture paste, stamping, embossing and vintage suitcase focal point

If you love mixed media but feel like your projects need a little more depth, this post is for you.

In today’s tutorial, I’m sharing three easy mixed media layering techniques that go beyond the basics—simple additions that create texture, interest, and that “something extra” that makes a card feel finished.

These layers are beginner-friendly, easy to repeat, and surprisingly impactful.

This post is part of my ongoing mixed media series where I create a card or tag using my easy to follow recipe.

After years of experimenting (and plenty of trial and error), I developed a simple 3-step recipe that works on almost every project.

And today, I’m sharing it with you.

✂️ In This Post, You’ll Learn:

• My 3-Step Mixed Media Recipe
• How to create an easy watercolor background
• How to layer like a pro
• How to create an interesting focal point

Karen’s 3-Step Mixed Media Recipe

Step 1: Create an Interesting Background
Step 2: Add 4+ Layers
Step 3: Add a Strong Focal Point

Simple. Repeatable. And it works on almost every project.

📌 Save this for later so you can come back when you’re ready to try this technique.

8 mixed media cards and tags from my continuing series: Mixed Media Made Simple.

If you’re new to this series, start here:
👉 Mixed Media Made Simple: My 3-Step Recipe for Fun & Easy Tags

And if you missed my foundational layering post, you’ll definitely want to read this first:
👉 Mixed Media Layering Made Simple: The 4 Layers I Use on Almost Every Project

Because today…

We’re Building On That Foundation

This post is your next step.

We’re taking the “Fab 4” layers and adding three more techniques to create a richer, more dimensional, slightly more advanced mixed media look—without losing that relaxed, beginner-friendly feel.

And the best part?

We’re using a very similar design (same colors, same focal point, same vibe) so you can clearly see how your work can evolve.

If you try this technique, tag your project with:
👉 #karensmixedmediarecipe — I would truly love to see what you create!

If you are interested in adding a new supply or two to your toolbox, you can check out my Favorite Supplies page.

Vintage look mixed media card with watercolor background that features Spellbinders Retro Suitcase die SDS-221

Step 1: Create a Background

Let’s keep this part simple and approachable.

For this card, I created:

  • A two-color watercolor background using a loose, abstract “Y” shape in soft blue
  • Filled the remaining space with warm yellow
  • A second yellow wash panel for the suitcase focal point
  • A third panel using direct-to-paper brown ink + water for a leather-like texture

💡 Tip: Don’t overthink placement—this is about movement, not perfection.

creating watercolor panels is the best first step for creating mixed medai card backgrounds and components.
Here are the 3 watercolors panels we will be using on today’s mixed media card.

Step 2: Layering — The Fab 4 + 3 More

We’re starting with the Fab 4 (your go-to layers), then building upward.

Think of this as:
👉 easy, relaxed complexity

The Fab 4 (Your Foundation Layers)

1. Stenciling (Pattern)

Add soft script in 1–2 areas using brown ink.

✔ Adds structure
✔ Keeps things grounded
✔ Works on every project

brown ink + script stencil is the best first layer for mixed media projects.
Adding soft script stenciling creates subtle pattern and movement

2. Stamping (Personality + Vintage Charm)

Use second-generation stamping (stamp once on scrap, then your panel).

I used:

  • Blue + brown inks
  • Imperfect shapes, lines, and marks

✔ Keeps everything cohesive
✔ Adds that “collected over time” look

second generation stamping with brown ink gives vintage vibe to mixed media card projects.
Second-generation stamping softens the look and blends beautifully

Now Let’s Level Up…

Here are the 3 additional layers that take your project from beginner to beautifully complex:

3. Texture Paste (3D Dimension)

Using a cobblestone stencil, I applied:

  • Blue-tinted paste
  • Brown-tinted paste
Applying tinted texture paste to mixed media backgrounds eleveates cards from beginner level to intermediate.
Texture paste adds loads of dimension to cardmaking projects.

The result? A soft, two-tone textured layer.

✔ Adds tactile interest
✔ Creates visual depth
✔ Feels artistic and elevated

I tinted texture paste and applied with a stencil on layer 3 and you can see other layering options on my Go-To Cardmaking Supplies page.

4. Heat Embossing (Controlled Drama)

I partially stamped a Bubble Celebration background stamp using pigment ink, then heat embossed.

✔ Adds texture and contrast
✔ Keeps things imperfect and organic
✔ Creates a subtle focal texture

Partial heat embossing bubble circles on a mixed media card background adds texture and interest.
Imperfect embossing adds texture without overpowering the design.

5. Distress Crayons (Soft Aging Effect)

Add scribbles… then activate with water.

✔ Blends into previous layers
✔ Adds softness and movement
✔ Creates that “aged over time” feel

Distress crayons can add interest to mixed media card backgrounds.
A few scribbles before brushing with a wet brush.

Finish the Fab 4

6. Distress the Edges

Frame your design with brown ink.

✔ Instantly adds depth
✔ Gives a vintage finish

Intermediate level mixed media cardbackground with 6 layers, including distressing the edges with brown ink.
Distressing the edges really adds to the vintage charm of mixed media projects.

7. Splatters (Movement + Cohesion)

  • Water splatters (blotted)
  • Blue + brown splatters

✔ Pull everything together
✔ Add energy and life

Adding splatters to mixed media intermediate level watercolor card background that has 7 different layering techniques.
Don’t skip adding splatters, they really unify your projects.

How Do You Know When to Stop?

  • Let it sit for an hour (or overnight)
  • Take a photo
  • Ask: Does this feel balanced—or busy?

Today’s card: 7 layers total

✨ Why These Layers Work

  • Easy to repeat
  • Build depth without clutter
  • Work with supplies you already have
  • Add a polished, finished look

Step 3: Add a Strong Focal Point

Mixed media needs a visual anchor.

Today, I used the Retro Suitcase Die—one of my favorites.

But here’s where we elevate it:

✨ I used a BetterPress map background on the suitcase panel
✨ Lightly distressed the edges
✨ Assembled using layered die cuts

Step-by-step mixed media layering process showing stencil, stamping, and texture paste techniques for cardmakers + die cut focal point.
Vintage look die cut focal points really add to the retro beauty of mixed media background panels.

Then added:

  • Ephemera tickets (tucked behind)
  • A sentiment strip: “Friends and laughter help lighten the load”

✔ Storytelling
✔ Depth
✔ Vintage travel charm

Let’s Talk Color (Why This Works)

We kept it simple:

  • Soft blue
  • Warm yellow
  • Neutral brown

✔ Blue = calm
✔ Yellow = energy
✔ Brown = grounding

And together?

👉 A cohesive, vintage-inspired palette that feels intentional—not chaotic.

Beginner vs. Intermediate — Side-by-Side

Beginner to intermediate mixed media card comparison with blue, yellow and brown color palette and vintage travel theme.

This is where the magic happens.

Fab 4 Card (Top Card) from The 4-Layers I Use on Everything post

  • Brighter
  • Simpler
  • Clean layering

Fab 4 + 3 Card (Bottom Card):

  • More texture
  • Slightly moodier
  • Richer detail

👉 Same foundation… just built up.

Other Posts in This Series

Craft Toolbox

These are the core tools I use when building layered mixed media backgrounds

You might also be interested in my 14 Best Cardmaking Supplies for 2026 post.

Focal Point:
Retro Suitcase Die + BetterPress Map

Inks:

Tools & Layers:

Basics:

Final Thoughts

This is where mixed media really starts to feel magical.

Not because it’s complicated…
But because you’re learning how to layer with intention.

Start with the Fab 4.
Add one or two new techniques.
And let your style evolve naturally.

📌 Save this for later so you can come back when you’re ready to try this recipe.

💬 Which layer was your favorite? I’d love to hear in the comments!

🏆 Proud to be ranked among the Top Cardmaking Blogs by Feedspot

Learn how to create easy watercolor background panels for mixed media cards using a simple wet-on-wet technique. Mixed Media Made Simple: Easy Watercolor Background Panels
cardmaking · Mixed Media

Mixed Media Made Simple: Easy Watercolor Background Panels

Karen Brown1 Comment

Create soft, beautiful backgrounds (no experience required!) + a charming floral focal point

Learn how to create soft, beautiful watercolor backgrounds for handmade cards using simple techniques. This beginner-friendly mixed media tutorial shows step-by-step how to build layers and add a floral focal point.

Have you ever looked at a mixed media card and thought:

“That’s gorgeous… but I could never do that.”

I used to think the exact same thing.

Mixed media felt mysterious, a little messy… and honestly, a bit overwhelming.

But I loved the look so much that I kept experimenting—and over time, I discovered something surprising:

👉 Mixed Media doesn’t have to be complicated.

In this tutorial, I’ll show you how to create a simple mixed media card.

✂️ In This Post, You’ll Learn:

• My 3-step mixed media framework
• How to create quick, easy watercolor panels
• Why simple floral focal points can be so striking
• How to create a custom frame for extra impact

After years of experimenting, I developed what I now call:

💛 Karen’s 3-Step Mixed Media Recipe

🧁 Recipe Recap

Step 1: Create an interesting background
Step 2: Add 4+ layers
Step 3: Add a strong focal point

A simple, repeatable formula that works on almost every project.

📌 Save this for later so you can come back when you’re ready to create.

If you missed the start of this series, you can catch up here:

And if you try this technique, I would love to see it—
👉 Tag your projects with #karensmixedmediarecipe

If you are building your craft stash, you can browse all my go-to tools (including mixed media recommendations) on my Favorite Cardmaking Supplies Page.

Spellbinders Poppy Song Leaf & Bloom and Playful Stitched Panels die cuts on a vintage look mixed media card.

🎨 Step 1: Create an Easy Watercolor Background

Today’s technique is one of the simplest—and most relaxing—ways to create a mixed media background:

👉 Watercolor painting

And when I say easy… I mean it.

You could absolutely use a basic watercolor set—even a kid-friendly one—and still get beautiful results.

✨ The Technique: Wet-on-Wet

I lightly brushed clean water onto my watercolor paper first.

Then I added watercolor directly into the damp surface:

• Soft blues + a touch of gray for the background
• Poppy red for the frame
• Teal blue for the greenery

Instead of over-blending, I let the colors flow naturally, creating soft streaks and organic variation.

That movement? That’s the magic. ✨

💡 Why I Made 3 Panels

Since we’re focusing on backgrounds, I created three separate watercolor panels:

  1. Background panel (soft sky blues)
  2. Frame panel (soft poppy red)
  3. Greenery panel (teal tones)

This gives you extra practice—and ensures everything coordinates beautifully.

creating 3 custom watercolor panels for an easy mixed media card for beginners.
Three watercolor panels in progress—soft washes of blue, red, and teal ready to be transformed into a finished card.

🎨 Let’s Talk Color (Simple + Cohesive)

I kept my palette intentionally simple:

• Blue (calm + airy)
• Red (bold + eye-catching)
• Brown (grounding + vintage feel, added later)

Using just 2–3 main colors keeps everything:

✔ cohesive
✔ balanced
✔ easy to build on

✨ Step 2: Add “The Fab 4” Layers

These are my go-to layers—the ones that work on almost every mixed media project.

💛 The Fab 4 (in order):

A) Stenciling (Adds Pattern)

I used a script stencil with brown ink to add subtle “words” in two small areas.

✔ Keep it light
✔ Keep it partial
✔ Let the background shine through

Easy stenciling on a watercolor mixed media background panel.
Using a Script Stencil always works well for mixed media backgrounds

B) Stamping (Adds Character)

Using Root Beer brown ink and second-generation stamping, I added:

• light textures
• subtle vintage elements
• soft details near the edges

✨ Tip: Stamp once on scrap first for softer impressions.

I kept the center area more open so the focal point has room to shine.

I used my vintage stamps on layer 2, and these are part of my most-used cardmaking tools that I reach for on almost every project.

C) Distress the Edges (Adds Depth)

I blended brown ink around the edges to:

• frame the design
• add age and softness
• create a vintage feel

This step acts almost like a hidden mat under the frame.

D) Splatters (Adds Movement + Magic)

I added:

• water splatters (blotted for texture)
• soft teal blue watercolor splatters

To keep the center clean, I used a scrap paper mask while splattering.

✔ Same color palette
✔ Subtle movement
✔ Beautiful cohesion

Easy Mixed media Background with Fab 4 Best layers for Mixed Media
Background after The Fab 4 layers—soft texture, gentle detail, and a perfectly balanced surface.

🎯 When to Stop?

At this point, pause and look.

👉 Does it feel balanced?
👉 Do you love it?

If yes—stop right here.

You don’t have to add more. I didn’t.

🌸 Step 3: Add a Focal Point

For this card, I created a dual focal point:

• A delicate poppy flower
• A whimsical stitched frame

Together, they create structure and charm.

✂️ Custom Frame Trick (So Fun!)

I used two nesting stitched rectangle dies and taped them together to create a frame.

✨ Bonus: The leftover inner piece becomes a future background!

🎨 Finishing Details

• Lightly distressed the red frame with brown + red ink
• Die cut and assembled the poppy and greenery
• Added a “hello friend” sentiment

To enhance the design, I placed the frame over the layered background and allowed the brown distressing to peek through.

Creating a custom frame for mixed media card.
Framing a mixed media background really complements the card.

💡 Pro Tip: Simple Can Be Stunning

This card is a perfect example of:

👉 simple background + simple focal point = high impact

You don’t need complicated elements to create something beautiful.

✨ Why This Card Design Works

  • Easy to repeat layers that work everytime
  • Depth without clutter
  • Work with supplies you already have
  • Dual Focal Point
Simple die cuts work great on mixed media cards.

🧰 Toolbox (Supplies Used on This Card)

👉 You might also enjoy: 14 Best Cardmaking Products and Supplies

⭐ Featured Dies:

• Poppy Song Collection
• Leaf and Bloom die set
• Playful Stitched Panels (nesting dies)
• Hello Friend sentiment dies

Inks and Stamps:
• Reactive Ink (Root Beer)
• Vintage-style stamps: Maps and Ledgers, Postmarks and Tickets

Tools:
• Blending brushes
• Die cutting machine

Other Supplies:
• Watercolor paper (140 lb)
• Watercolor paints

📌 Save this for later on Pinterest.

Want to see everything I use in my craft room? Browse my Favorite Cardmaking Supplies & Tools.

💭 Final Thoughts

If mixed media has ever felt intimidating, this is a beautiful place to begin.

Soft watercolor backgrounds + a few simple layers can create something truly special.

And the best part?

Every panel turns out just a little bit different.

📌 Save this for later so you can come back when you’re ready to try this technique.

If you try this technique, tag your project with
👉 #karensmixedmediarecipe:

I would absolutely love to see what you create.

✨ Coming Next

Next in the series, we’re diving deeper into layering—so come back next week. Or, subscribe so you don’t miss the next post.

You’re going to love how everything starts to come together.

🏆 Proud to be ranked among the Top Cardmaking Blogs by Feedspot

Mixed medai card with retro die cut suitcase and ink blend background. Mixed Media Layering Made Simple: The 4 Layers I Use on Almost Every Project
cardmaking · Mixed Media

Mixed Media Layering Made Simple: The 4 Layers I Use on Almost Every Project

Karen Brown4 Comments

A beginner-friendly guide to building beautiful, cohesive mixed media cards—without the overwhelm

Mixed media card featuring layered ink blended background with stenciling, stamping, splatters, and a vintage suitcase focal point in aqua, yellow, and brown tones.

Have you ever looked at a mixed media project and thought:

“That’s beautiful… but where do I even start?”

I’ve been there.

When I first started exploring mixed media, everything felt overwhelming. There were so many techniques, products, and styles—but very few beginner-friendly guides that actually simplified the process.

So after years of experimenting (and yes… making a glorious mess or two), I created something I wish I had from the beginning:

Karen’s Mixed Media Recipe

A simple, repeatable framework that works on almost every project.

And today I am sharing it with you.

✂️ In This Post, You’ll Learn:

• My simple 3-step mixed media framework
• How to create a quick, cohesive background
• The 4 “must-have” layers I use on almost every project
• Why limiting your color palette makes everything look better

🧁 Karen’s Mixed Media Recipe (Quick Recap)

This is the exact process I follow again and again:

Step 1: Create an interesting background
Step 2: Add 4+ layers
Step 3: Add a strong focal point

That’s it. No overwhelm. No guessing.

📌 Save this for later so you can come back when you’re ready to create.

And today? We’re diving into the part where the magic really happens…

👉 Layering

How to create vintage look mixed media cards that are simpe and beginner friendly.

If you missed earlier posts in this series:

• Mixed Media Made Simple: My 3-Step Recipe for Fun & Easy Tags
• Ink Smooshing 101 — My Favorite Mixed Media Background Starter

And if you try this recipe, I would LOVE to see it—tag your project with
👉 #karensmixedmediarecipe

Browse my Favorite and Most Used Cardmaking Supplies.

🎨 Step 1: Create a Background

For today’s project, I created a soft ink-blended background on watercolor paper.

I chose colors that sit near each other on the color wheel:

• Aqua
• Yellow

When these blend, they create a soft, beautiful green—no harsh transitions, no muddiness.

✨ Beginner Tip:
Avoid opposite colors (like purple + yellow or red + green) unless you want brown.

I used reactive inks, which means they respond to water—this becomes important in our 4th layering step (hello, splatters!).

I also created a second panel in yellow for my focal point.

2 color ink blend background for mixed media card before adding layers.
Soft ink-blended panels before layering—this is our clean starting point before the “grunge magic” begins.

✨ Step 2: The Fab 4 Layers (My Go-To Every Time)

If mixed media had a “starter pack,” this would be it.

These are the four layers I use on almost every project—they are reliable, forgiving, and incredibly effective.

I call them…

💛 The Fab 4

1. Stenciling (Adds Pattern)

This is where your background starts to come alive.

I used a diamond stencil to add soft pattern using the same aqua tones.

✔ No perfect placement
✔ No covering the whole background
✔ Just touches of pattern

Think: “strategic randomness”

I’ve listed my favorite mixed media stencils in My Go-To Cardmaking Supplies page.

Stenciling, Sparkle Weave, added to a mixed media background.
The Sparkle Weave stencil works beautifully on mixed media cards.

2. Stamping (Adds Personality & Vintage Charm)

Now we add character.

I used imperfect, sketch-style stamps—dots, lines, circles—for that slightly vintage feel.

✨ Beginner Trick:
Try second-generation stamping (stamp once on scrap, then on your panel) for softer impressions.

I introduced a third color here:

• A neutral brown

This grounds the entire design and keeps things from feeling too “floaty.”

Stamping layers on a mixed media card background.
After stamping layers—notice how the background is starting to feel more textured and dimensional.

3. Distress the Edges (Adds Depth)

Time to gently “grunge it up.”

I blended brown and a touch of blue around the edges.

This simple step:

• frames your design
• adds age and depth
• makes everything feel more finished

distressing the edges of a background with Root Beer brown ink and a blending brush.
Edges distressed for depth and contrast really start to pull the background together.

4. Splatters (Adds Movement & Magic)

This is where everything comes together.

First: water splatters (reactive inks = magic ✨)
Then: light splatters of all three colors

Turn your panel as you go—this keeps things natural and balanced.

Adding water splatters and ink splatters to a mixed media card background.
Finished background after The Fab 4—layers, texture, and movement working together.

🎯 When to Stop?

After the Fab 4, pause and look.

Ask yourself:

👉 Do I love it?
👉 Does it feel balanced?

If yes—STOP. 🎉
If not—add one more layer and reassess.

Remember: we’re going for “imperfect by design.”

🧳 Step 3: Add a Focal Point

I chose a vintage-style die cut suitcase (because… how cute is that?!).

To keep the look cohesive, I created custom panels instead of using cardstock:

• Yellow panel for the suitcase body
• Brown “leather” panel using direct-to-paper + water

This gives it that worn, travel-ready feel.

Die cutting a focal point for a layered mixed media background.
Finished layered background using four mixed media techniques

✨ Pro Tip: Instant Layering Shortcut

Even experienced mixed media artists use this:

👉 Pre-printed ephemera

I tucked in:

• tickets
• a sentiment (such an easy option)
• small embellishments

These add detail without extra effort.

I placed the suitcase slightly off-center—like it’s ready to hop on a train and go on an adventure.

📌 Save this for later on Pinterest.

🎨 Let’s Talk Color (The Secret Sauce)

I kept everything to just three colors:

• Aqua (calm)
• Yellow (energy)
• Brown (grounding)

Using the same colors in:

✔ background
✔ layers
✔ focal point

…creates instant cohesion.

More colors ≠ better
Fewer colors = harmony

✨ Why These Layers Work

  • Easy to learn and effective everytime
  • Build depth without clutter
  • All 4 layers work well together
  • Add a polished, finished look

🧰 Supplies Used From My Toolbox

You might also be interested in my 14 Best Cardmaking Supplies for 2026 post.

Focal Point:
Retro Suitcase Die from the We Have Baggage Collection

Inks:
Reactive Inks (aqua, yellow, brown tones)

Tools & Layers:
Blending Brushes
Background Stamps: Background Builder and Vintage Maps and Ledgers
Stencils – Sparkle Weave
Ephemera – chipboard, tickets/sentiments

Basics:
Watercolor paper (140 lb.)
Die cutting machine
Adhesives

💭 Final Thoughts

If you’re new to mixed media, start here.

The Fab 4 layers will take you from:

👉 “flat and plain”
to
👉 “textured and full of life”

…without overwhelm.

Layering isn’t about doing more—it’s about doing the right things in the right order.

And now you have that order. 💛

📌 Save this for later so you can come back when you’re ready to try this technique

📌 If you try this, tag your project with #karensmixedmediarecipe
I would truly love to see what you create.

✨ Coming Next…

If you enjoyed these foundational layers, you’ll love the next step—Beyond the Basics: 3 Mixed Media Layers to Try, where I build on the Fab 4 to create richer, more dimensional designs.

Green die cut and watercolor line of being mixed media card 3 Easy Mixed Media Cards for Beginners | Line of Being Die
Die cutting · Mixed Media

3 Easy Mixed Media Cards for Beginners | Line of Being Die

Karen Brown1 Comment

Part of My Continuing Series: My 3-Step Mixed Media Recipe

3 modern abstract faces on a handmade card with a watercolor background.

Sometimes a die set arrives and your brain immediately starts firing off ideas.

That was me with Spellbinders Line of Being die set from Jaycee’s All My Senses Collection.

It’s minimalist. Abstract. Unexpected. Just a few delicate lines forming eyes, a nose, lips… and that tiny heart on the cheek.

It felt modern and artistic — and I knew it deserved something special.

So instead of making one card, I made three.

Three different artistic mixed media takes on the same striking focal point.

And interestingly? Each one feels completely different.

✂️ In This Post, You’ll Learn:

• How to add a simple but dramatic focal point
• Learn to create easy custom watercolor backgrounds
• How to add a few light layers that add interest
• Using gel press prints for your background

3 Mixed Media cards created with die cut "Line of Being" die cut from Spellbinders.

This Line of Being Die Set from Spellbinders creates the most eye-catching cards that are both unique and artistic.

I love that this set creates simple but bold focal points that work well in beginner level cards and mixed media creations.

A Little Mixed Media Context

If you’ve been following along in my new series:

Today’s cards are a little different.

They’re what I’d call Mixed Media Lite.

Understated.
Modern.
Intentional.
Artsy without being busy.

Use #karensmixedmediarecipe so we can follow along with each other’s projects.

Card One: The “Green Picasso” Card

Green Picasso handmade mixed media "Line of Being" card with watercolor background and 5 additional layers.

This card started with a hand-painted watercolor background.

I taped my watercolor paper to a hardboard using painter’s tape and lightly dampened the area where I wanted color.

Using various shades of green, I let the paint move organically — blobs, peninsulas, soft edges. No strict shape.

I used the die plate as a guide to estimate the size of my watercolor “face” (approximately 3 ¼” x 4 ½”).

Once dry, it felt very Picasso-meets-Buddha to me.

There’s quite a bit of white space around the painted area, which keeps the composition modern and breathable.

While brainstorming, I created 3 watercolor backgrounds. I went with the right two and filed the left panel in my premade backgrounds bin.

3 watercolor backgrounds + a bold black die cut creates 3 artsy modern handmade cards
Watercolor backgrounds work so well with mixed media cardmaking.

Subtle Layers (5 Total)

Even though this card feels simple, I added five quiet layers — because as you know, my recipe suggests 4+ layers.

  1. Light Script Stenciling
    Using Fog Reactive Ink, I stenciled two small areas of script. The pattern flows from watercolor into white space, about 1” sections.
  2. Tiny Rub-On Transfers
    Small Asian characters placed strategically. Just enough to intrigue.
  3. Second Generation Stamping
    Miss Detective small eyes, lips, fingerprints, and a heart stamped lightly in black reactive ink. Soft texture — not bold imagery.
  4. Partial Background Stamping
    I inked only portions of a bubble background stamp with Fog ink, bending the stamp to touch the paper selectively. Some impressions land on watercolor, some on white space.
  5. Splatters
    Blue-green and gold splatters to finish.

The Line of Being focal point — die cut from black cardstock — creates dramatic contrast against the organic green.

The sentiment? A small artistic rub-on that says “smile.”

Mounted onto a black A2 base using rounded rectangle infinity dies.

Bold. Modern. Graphic.

Mixed media card with green watercolor face background and black abstract face die cut with a second version in the background with my watercolor paint palette.
Bold but simple black die cuts make such interesting focal points for your mixed media cards.

Card Two: Pink & Green Modern Minimal

This card takes a lighter approach.

I painted:

  • A kidney-shaped pink wash on the right
  • A smaller irregular green circle blending slightly into the pink on the left

Lots of white space.
Lots of breathing room.

Watercolor backgrounds + splatters + black die cuts creates a bold modern mixed media look that works so well for cardmaking projects.
Colorful splatters elevate almost every mixed media project.

Then I added:

No heavy layering.
No traditional mixed media build-up.

Just artistic restraint.

And I love how eye-catching it feels despite its simplicity.

This card is proof that there’s no strict rule for how many layers a mixed media project must have.

Sometimes less truly is more.

Pink and green modern watercolor card with minimalist black face die cut

Card Three: Gel Press Version

I thought I was finished at two cards.

But overnight I had that creative whisper:

“What about a gel press background?”

So I shopped my stash of gel press prints (this is why I keep them!) and chose one with beautiful movement and color variation.

I:

The premade sentiment sticker finished it effortlessly.

Same focal point.
Completely different mood.

Gel press background card with metallic splatters and abstract line face

Why I Love Making Variations

Creating the same card multiple ways is incredibly instructive.

You learn:

  • How background weight changes a design
  • How much layering is “enough”
  • How focal points behave against organic vs graphic surfaces
  • What feels like you

It’s creative experimentation without pressure.

If you’re new to mixed media, I highly recommend starting with something approachable like my Easy & Addictive | Beginner Mixed Media Tag Tutorial and VIDEO.

For those building their stash, I also shared my 14 Best Cardmaking Products and Supplies for 2026, which might be helpful.

Build Your Cardmaking Toolkit:

If you are looking to equip your crafting space for new projects, these are the products I used today:

Diecutting:

Stamps:

Inks:

Which One Is Your Favorite?

The layered Green Picasso?
The modern Pink & Green?
Or the bold Gel Press version?

I’d truly love to know.

Ink Smoosh Mixed Media Birthday card with Hexagon die cuts Ink Smooshing 101 — My Favorite Mixed Media Background Starter
Mixed Media · Tutorial

Ink Smooshing 101 — My Favorite Mixed Media Background Starter

Karen Brown6 Comments

Learn to Create Easy But Beautiful Mixed Media Cards: Part 2 in my Karen’s 3-Step Recipe Series

Mixed media birthday card featuring blue and honey gold ink smoosh backgrounds, layered stamping and stenciling, stitched hexagon die cuts, and a small bee embellishment.

Have you ever looked at a mixed media project and thought, “That’s beautiful… but I have no idea where to start”?

I’ve been there.

After years of playing with inks, stamps, stencils, and paper, I finally realized something important:

Mixed media doesn’t have to be complicated.

That’s when I developed my own simple framework that I now call:

Karen’s Mixed Media Recipe

Step 1: Create an Interesting Background
Step 2: Add 4+ Layers
Step 3: Add a Strong Focal Point

That’s it.

This is part of my continuing series on Mixed Media.

If you missed the introduction to this series, you can read it here:
Mixed Media Made Simple: My 3-Step Recipe for Fun & Easy Tags.

Next in the series is: The 4 Layers I Use on Every Project

In This Post, You’ll Learn:

• What ink smooshing is and why it’s perfect for beginners
• 5 easy ink smooshing techniques to try
• How to choose colors that blend beautifully
• How to turn your backgrounds into a finished card

📌 Save this for later so you can come back when you’re ready to try it.

Now today we are diving deep into Step 1 — Backgrounds, and I’m starting with my absolute favorite beginner technique:

Ink Smooshing.

Mixed Media Birthday Card with 6 additional layers added to ink smoosh background. Color palette is blue, gold and cream.

Why Ink Smooshing Is Perfect for Beginners

If you are new to mixed media, this is the technique I always recommend first.

Why?

• No precision required
• Fast and easy to create
• Extremely forgiving
• Every panel turns out unique and interesting

There are no mistakes here. Just layers of beautiful, organic color.

And the more water you use?
The softer and dreamier your background becomes.

You might also enjoy watching my YouTube video: Mixed Media Tags for Absolute Beginners, where I walk you through the ink smoosh process on camera.

Let’s Talk Color (Without Adding a Step 4 😉)

You might be wondering if I should add a Step 4 to my recipe:
Use 1–3 colors.

Color restraint is absolutely important in mixed media.
Most cohesive projects use 1–3 colors. More than that and things can start to feel muddy or chaotic.

But visually, I love the simplicity of a 3-Step Recipe.

So instead of adding a formal Step 4, I treat color choice as a design principle that supports every step.

For today’s project, I chose:

• A neutral tan
• Honey golden yellow (Wild Honey Distress Ink)
• Blue Hawaii Reactive Ink

The blue feels calming.
The yellow has energy.
Together they create a beautiful balance.

When choosing multiple colors, try using colors that are next to each other on the color wheel (analogous colors). They blend naturally and beautifully.

Avoid mixing complementary colors (opposites like blue + orange, red + green, yellow + purple) unless you intentionally want a neutral brown — because they will neutralize each other quickly.

Mixed Media birthday card with heat embossing, stamping, letterpress, watercolor bleaching, splatters, stenciling.

Basic Ink Smoosh (Step-by-Step)

Ink smooshing is wonderfully simple.

  1. Dab a water-based ink (Distress Ink or Reactive Ink) onto your craft mat, acrylic block, or acetate.
  2. Spritz with water.
  3. Press watercolor cardstock into the puddle.
  4. Let it sit for 1–5 minutes.
  5. Lift and dry.

That’s it.

The result is a soft, watercolor-style panel full of movement and variation.

Practice Makes Better — We’re Making TWO Backgrounds

Since this post is all about backgrounds, I decided to create a project using two ink smoosh panels.

One panel will become the card background.
The second panel will be die cut into hexagons for our focal point.

This gives us double the practice — and far more visual interest than die cutting from solid cardstock.

Because we created both panels together, the colors coordinate beautifully.

And yes… this is where my hashtag comes in:

If you try this technique, I would love to see it.
Use #karensmixedmediarecipe so we can follow along with each other’s projects.

I think it will be such a fun way to build this series together.

5 Ink Smoosh Variations

I created five variations for this post. Not because you need to do all five every time — but to show how versatile one technique can be.

Pin this graphic for future reference

Five easy ink smooshing ideas for card backgrounds including salt texture, stamping, acetate prints, and multi-color mixed media techniques.
Ink smooshing technique with watercolor cardstock creating soft abstract card background ideas.

1. Single Color Basic Smoosh

I used a neutral cream ink.

Dab ink on mat → spritz → lay panel into puddle → weight with acrylic block → wait 1–5 minutes.

This is a total workhorse background.
Consider making extras for your premade background bin.

Process photo showing basic inksmoosh set-up
Easy neutral background that works with almost any card or tag project.

2. Ink Smoosh + Salt Texture

Create a basic panel.

While still wet, sprinkle salt.
Let dry completely.
Brush off the salt.

The salt absorbs pigment and creates beautiful mottling.

The darker the ink, the more dramatic the effect.

Instant vintage texture.

Process photo showing the Ink Smoosh + Salt Technique with tan ink on watercolor paper
Adding salt to your ink smooshing adds surprising interest and texture.

3. Multi-Color Smoosh

Start like the basic version, but add 2–3 colors in bands or random placement.

This panel is vivid and dynamic — and it’s the one I used to die cut my hexagons.

Remember:
Stick to 1–3 colors that blend nicely.

Process photo showing two color ink smoosh technique (blue and gold)
Using two colors of ink on your ink-smoosh backgrounds adds bold dynamic energy to your projects.

4. Two-Color Ink Smoosh Stamping

Dab ink onto an acrylic block.
Spritz.
“Stamp” onto watercolor cardstock.

Repeat with same or new color until satisfied.

I used tan and blue here — and this panel became the main card background.

Process photo showing Ink Smoosh Acrylic block stamping variation with blue ink on watercolor paper.
Ink smoosh stamping is a great way to have more control on your ink placement.

5. Ink Smoosh with Acetate

Dab ink on acetate.
Spritz.
Bend so only part “kisses” the paper.

This is fantastic for controlled color placement.

I also gently shook the acetate for larger splatters.

Process photo showing Ink Smoosh Acetate variation with yellow ink on watercolor paper.
By bending your ink smoosh acetate, you can add dabs of color where you want.

Shop Your Stash

I keep a bin full of premade backgrounds so I can “shop” when I start a new project.

On Background Days, I make extras.

Today I added three panels to my premade background bin.

Future Karen will thank me.

Let’s Add Layers

Layers are the magic in mixed media.

Here’s what I added to the blue and gold panel (the one I die cut from):

  1. BetterPress Number (Bold Color Mix Numbers BP-243) using Licorice Reactive Ink
  2. Script stencil on about 20% of the card
  3. Removed color through Sparkle Weave stencil using a baby wipe
  4. Stamped coffee stains with Root Beer ink
  5. Water splatters (blotted)
  6. Black splatters
Mixed Media Background panel with addtional layers: BetterPress Number (Bold Color Mix Numbers BP-243) using Licorice Reactive Ink, Script stencil on about 20% of the card,Removed color through Sparkle Weave stencil using a baby wipe,Stamped coffee stains with Root Beer ink, Water splatters (blotted), Black splatters
Adding additional layers to your ink smoosh background creates interesting depth to your finished card.

To the card background panel, I added:

• Dots and squiggles stenciled with iridescent bronze embossing powder
• Fine black splatters

Layers create depth.
Depth creates interest.

And the shine on the background is SO beautiful in person.

Process photo showing mixed media card components ready to assemble with a beautiful metallic heat embossing glow on the watercolor background panel.
Gathering your mixed media elements is always fun.

Focal Point — Hexagons

I love using shapes as focal points.

Hexagons are wonderful because they interlock — almost like puzzle pieces.

I die cut three stitched hexagons from my layered panel.

Two are stacked.
The third nestles into the “V” space.

Then I added the sweetest little bee, die cut from leftover scraps.

Because we created our panels first, the hexagons feel cohesive and integrated — not pasted on.

The blue and honey gold palette moves beautifully across the design.

Mixed Media Birthday Card with Spellbinders Vintage Lavender Fields Stitched Hexagon Die Cut Focal Point with a charming Bee.

Build Your Mixed Media Toolkit

If you’re just getting started with mixed media, here are a few of the essentials I personally use.

Die Cutting:

My Favorite Mixed Media Inks:

Essential Supplies:

Layering Staples:

If you’re building your craft room supplies, you might also enjoy my guide to the 14 Best Cardmaking Products and Supplies, where I share the tools I reach for again and again.

I have a 25 second fast paced reel of this card.

Final Thoughts

If you are new to mixed media, start here.

Ink smooshing builds confidence.
Confidence builds creativity.

And creativity builds layers.

If you try this technique, tag your project with #karensmixedmediarecipe — I would truly love to see what you create.

Next up in this series, we’ll dive deeper into layering magic: The 4 Layers I Use on Every Project.

Mixed Media Made Simple: My 3-Step Recipe for Fun & Easy Tags
Mixed Media · Tutorial

Mixed Media Made Simple: My 3-Step Recipe for Fun & Easy Tags

Karen Brown9 Comments

New to mixed media? This series will walk you through everything step-by-step.

Mixed media doesn’t have to mean messy chaos and 47 random products scattered across your desk.

I finally realized that what I needed wasn’t more supplies… I needed a formula.

I absolutely LOVE the look of mixed media—and honestly, it’s some of the most fun you can have in a craft room. There are no rules. No mistakes. Just happy little outcomes (and sometimes a few gloriously imperfect ones).

But when I first started, I had no idea where to begin. I admired so many artists’ projects… but how did they know what to add next?

After years of experimenting (and making a delightful mess of watercolor paper), I developed a simple 3-step recipe that works on almost every project.

And today, I’m sharing it with you.

✂️ In This Post, You’ll Learn:

• My 3-Step Mixed Media Recipe
• How to create easy but interesting backgrounds
• Which layers are my go-to workhorses
• How to choose a strong focal point

🧁 Karen’s 3-Step Mixed Media Recipe

Step 1: Create an Interesting Background
Step 2: Add 4+ Layers
Step 3: Add a Strong Focal Point

That’s it.

📌 Save this for later so you can come back when you’re ready to create.

This is Blog Post #1 in a new mixed media series where I’ll walk through each part in detail — visually and step-by-step. If this kind of creative play excites you, be sure to subscribe so you don’t miss the tutorials ahead.

If you try this recipe, I would love to see it.
Use #karensmixedmediarecipe so we can follow along with each other’s projects.

Now let’s walk through today’s tag together.

Stenciled, ink blended tag with rub on transfers with 7 layers.

Step 1: Create an Interesting Background

For today’s tag, I started with a watercolor wash.

I scribbled a brown watercolor marker onto my craft mat, spritzed it with water, and brushed the color onto heavy watercolor paper. If you want deeper color, simply let it dry and repeat the process.

Once dry, I die cut the panel using a 3” x 5” tag die. I love this size because it gives me plenty of creative real estate.

Tan is one of my favorite neutral starting points — it plays beautifully with layered color and keeps everything cohesive.

Process photo of mixed media tan watercolor wash tag background.

Step 2: Add 4+ Layers (Today I Added 7!)

Layers are where the magic happens.

On most of my mixed media projects, I use at least four layers — but often more. The key is variety, contrast, and a little bravery.

Here’s what I added today:

1. Ink Blending

Using water reactive inks (Berry Smoothie and Blue Hawaii) and a blending brush, I blended color onto the lower left portion of the tag — about two-thirds of the surface.

Don’t overthink this step. I started mid-left with Berry Smoothie and worked inward, then added Blue Hawaii to the bottom corner.

There is no “right” placement. Pick a spot. Add color. Assess. Adjust. Keep going.

2. Stenciling

I used the Floral Trove stencil — it’s wonderful for tags because of its 9 different rectangular designs.

Using the same two ink colors as in step 1 keeps everything soft and cohesive. Now my neutral tan base has subtle pattern and depth layered over it.

3. Hero Transfers

I trimmed a 3” x 2” grid element from the Grids and Icons Mixed Media Hero Transfers set and applied it at an angle using a bone folder.

Those black grid lines instantly add structure and contrast.

4. Stamping

This is where personality comes in.

I stamped:

  • A circle coffee stain
  • An ink blot
  • Numbers
  • A postmark
  • Script text

Using Root Beer Brown, Blue Hawaii, and Berry Smoothie keeps everything coordinated.

The goal isn’t to make one stamp stand out — it’s to build subtle interest. Look for shapes, textures, numbers, partial images… don’t stress about perfection.

Process photo of ink blending on tan mixed media watercolor tag with detail of Hero Arts grid rub-on transfer and stamping.

5. Add Words

I die cut a small scrap with printed words (leftover from a previous project — yes, I save almost everything!).

You could also use dictionary scraps, stamped text, or stencil writing. I softened the edges with brown ink.

6. Ink the Edges

Root Beer reactive ink around the edges, finished with a touch of Licorice black, frames the tag and grounds the design.

7. Splatters

I almost always finish with splatters. Today I used blue and black. I removed the top nozzle from a bottle of ink spray and gently flicked the droplets onto the tag.

They unify the layers and add that final touch of “imperfect by design.”

Step 3: Add a Strong Focal Point

For today’s focal point, I used the Love Note Birds die cut.

It’s simple, not overly detailed, and perfectly sized for a tag.

The pink panel was die cut from a leftover watercolor gradient (because scraps are creative gold). I lightly shaded it with leftover black ink on my blending brush to soften it and prevent it from feeling too bright.

I positioned the bird slightly off-center toward the lower left and adhered it directly to the tag.

Off-center placement keeps things interesting.

Finished mixed media tag with 7 layers + a die cut bird focal point.

If you’d like more beginner-friendly inspiration…

My Mixed Media “Cheat Sheets”

Over time, I realized I had dozens of techniques swirling in my head. So I created three sample boards:

  • Background Ideas
  • Layering Ideas
  • Focal Point Ideas
In process photo of mixed media tag background + my backgrounds sample board.

I’m a very visual person, and these boards act like my creative reference system when I sit down to craft. The middle circle on the right was the panel I used for today’s tag.

In upcoming posts, I’ll reveal them in detail — but here’s a small peek. (Just enough to inspire… not overwhelm 😉)

Mixed Media Is Imperfect by Design

Mixed media can feel intimidating.

But here’s what I’ve learned:

It’s imperfect by design.

Little missteps? They add charm. Unexpected marks? They add character.

Watching a simple piece of watercolor paper transform layer by layer is one of the most satisfying creative journeys.

And the best part? There are no mistakes — just more layers.

9 mixed media tags and cards created in this continuing how to series
Mixed media tags and cards created using Karen’s 3-Step Mixed Media Recips

Coming Next in This Series

Over the next few posts, I’ll be diving deeper into:

  • How to build beautiful mixed media backgrounds
  • My favorite layering combinations
  • How to create strong focal interest
  • The best supplies for beginners

In my next post, Ink Smooshing 101, we take a deeper dive into Step 1 of my Mixed Media Recipe and explore five ways to create beautiful watercolor-style backgrounds using simple water-based inks.

Other key posts in this series:

You might also want to check out my Sneaker Bouquet scene card.

Stay tuned — this is going to be fun.

🏆 Ranked among the Top Cardmaking Blogs by Feedspot

Two mixed media art tags with ink smoosh background and die cut focal points. How to Create Easy Mixed Media Tags for Beginners (Step-by-Step Tutorial + Video)
Mixed Media · Tutorial · Video

How to Create Easy Mixed Media Tags for Beginners (Step-by-Step Tutorial + Video)

Karen Brown4 Comments
Easy & Addictive Mixed Media Tag Graphic with photo of two mixed media tags.

If you’ve ever wanted to try mixed media but weren’t sure where to start, this is the perfect beginner-friendly project.

In this tutorial, I’ll show you how to create easy mixed media tags using simple supplies and a few layering techniques that are both fun and surprisingly addictive.

These tags are a great way to experiment with color, texture, and stamping—without feeling overwhelmed.

Video

👉 Or watch on YouTube HERE.

This post coordinates with my YouTube video where I walk through every step in real time. If you like seeing the process in action, be sure to watch the video alongside this tutorial.

✂️ In This Post, You’ll Learn:

• How to create easy mixed media tags step-by-step
• A simple ink smoosh background technique
• My “viewfinder” trick for better composition
• How to add subtle grunge and texture
• Easy focal point ideas that always work

📌 Save this for later so you can come back when you’re ready to create.

When creating mixed media projects, I use my 3 Step Mixed Media Recipe.

👉 You can find the tools I use most often on my Favorite Cardmaking Supplies page

Exact supplies used in this post are at the bottom of this post.

Why This Is a Great Beginner Mixed Media Project

  • No pressure to be perfect
  • Great way to practice layering
  • Uses simple, repeatable techniques
  • Each tag turns out unique

Mixed Media Tags for Absolute Beginners: 11 Easy Steps

Closeup of two completed vintage look mixed media tags
Using die-cut initials or hearts creates strong focal interest on mixed media projects.

📌 Pin this for later

Step 1: Create a Simple Ink Smoosh Background

Add three shades of water-based reactive ink to your craft mat, spritz generously with water, and press the watercolor paper into the ink. Let sit in the puddle with an acrylic block on top for 1 – 5 minutes. The more water you use, the softer the panel. I used Key Lime Fizz, Pool Party and Blue Hawaii on my tags.

If you are interested in learning how to create an easywatercolor background, I have step-by-step directions in my tutorial how to make mixed media tags in 9 easy steps.

Step 2: Dry Your Panel

Let the panel air dry or speed things up with a heat tool. If it warps, flatten it under a book once dry.

Process photo of my two ink smoosh watercolor background panels.
Ink Smoosh background panels are the easiest way to start a beginner mixed media project.

Step 3: ViewFinder Trick

I like to use my tag die as a viewfinder to decide which part of my panel I want to feature.

Step 4: Die Cutting

Once I’m happy, I tape the tag die in place and run it through my Platinum 6 die cutting machine. It is one of the tools I rely on regularly—several of them are included in my list of the best cardmaking supplies for 2026.

Step 5: Stenciling

Now its time to start layering on top of our background. I add stenciling to about two thirds of each tag using the same reactive ink colors that I used in Step 1. You can use just about any stencil you have. I chose two very different designs and I love how they both turned out!

Close-up of my aqua blue mixed media tag with personalized die cut initials (KB) and Hero Arts rub-on Hero Transfers.
Stenciling is one of the cornerstone layers for mixed media projects.

Step 6: Second-Generation Stamping

This is one of my favorite mixed media techniques.

Ink your stamp, stamp once on scrap paper, then immediately stamp onto your background.

The lighter impression adds depth and texture while keeping things loose and organic.

Use the same colors you used on your background in Step 1. This keeps everything cohesive and soft and adds subtle interest without overpowering the background.

Mixed media art tag created by layering 6 additional techniques on top of my ink smoosh watercolor background.
Rub on transfers are one of the easiest layers to add to your mixed media tags.

Step 7: Add Rub-On Transfers for Easy Texture

Hero Transfers are one of the easiest ways to add detail and interest—no drying time required. Today, I used the Grids and Icons Transfers.

Cut a small section, place it on your tag, and rub it on using a bone folder or craft stick. I like angling my transfers slightly for a more vintage, organic look.

Step 8: Add Some Grunge and Ink Blend the Edges

Ink blending around the edges of the tags adds instant definition and helps ground all those layers.

This is where everything starts to come together. I like using a darker neutral ink like Root Beer to “grunge up” the edges just a bit.

Colorful ledger style mixed media tag with die cut floral sunbursts and a cheerful orange heart.
Ink blending around the edges of a mixed media tag add the perfect amount of vintage grunge to your projects.

Step 9: Add Splatters

Using a fan brush, splatter water (then blot with a cloth) and them the same inks used above. This step instantly adds movement and that “mixed media magic” feel.

Process photo showing water splatters and ink splatters on my in-process mixed media art tag.
Splatters are the perfect finishing touch for mixed media projects.

Step 10: Add Focal Points

Now it’s time to bring in focal elements.

I used small die-cut images, lightly distressed the edges, and glued them directly to the tags. Keep the focal points simple—they should complement the background, not compete with it.

A good rule of thumb: if your background is busy, keep your focal point clean and contained.

Best mixed media art tag illustrating how to create one in 11 easy steps.

Step 11: Finish with Twine or Ribbon

Thread twine or ribbon through the top of each tag to finish them off.

This final step adds texture, softness, and makes the tags feel complete. You can also tuck tags into cards, journals, or gift packaging.

You might also enjoy another recent Mixed Media Tag Tutorial I posted last month. Or if you’d like to try a mixed media card instead, here is how I create one step-by-step, with loads of illustrative photos.

Mixed Media Toolbox

These are the supplies that I personally use:

Stamps and Rub-on Transfers:

Dies:

Inks and Stencils:

Other Supplies:

Thanks for stopping by! Which tag is your favorite: Initials or Heart?

Two easy mixed media tags with an aquatic fish theme. How to Make Mixed Media Tags in 9 Easy Steps | Tutorial
Mixed Media · papercrafting · Tutorial

How to Make Mixed Media Tags in 9 Easy Steps | Tutorial

Karen Brown3 Comments
Two handmade mixed media tags featuring Hero Arts Partners in Brine stamps, watercolor gradients in blue, yellow, and pink, layered stamping, ink splatters, and foiled fish accents.

Creating stunning, multi-layered mixed media tags is easier than you think—here is an easy to follow 9-step tutorial.

When creating mixed media projects, I use my 3-Step Recipe.

The techniques I’m sharing today can be used with almost any stamp set or focal elements you already have.

If mixed media feels a little intimidating—don’t worry. This project is about building layers slowly, having fun with color, and letting the process guide you. Let’s walk through it step by step!

👉 I’ll link to the exact supplies at the bottom of this post.

Aquatic theme mixed media tag using Hero Arts Partners in Brine Stamp set and Glad We Are Tight BetterPress letterpress fish plates.

Step 1: Create a Watercolor Gradient Background

When I saw the Hero Arts Partners in Brine Stamp Set, I immediately pictured a colorful, summery mixed media background filled with texture, stamping, and playful details.

I began by taping a 6″ x 6″ panel of watercolor paper to a hardboard using washi tape. On my craft mat, I dabbed Hero Arts Reactive Ink, spritzed it with water, and used a brush to watercolor a smooth gradient.

I blended the colors so they flowed from blue into green, yellow, orange, and finally pink. Since this stamp set has an aquatic theme (which always feels like summer to me), I wanted bright, happy, sun-washed color.

Dry your panel naturally or speed things up with a heat gun. If your paper warps, simply flatten it later with a book.

Close-up of mixed media tag featuring layered stamping, script texture, inked edges, and a foiled fish accent on a colorful watercolor background.

Step 2: Stamp in Coordinating Colors

Once dry, I stamped images from the CM834 Partners in Brine stamp set using the same inks:

I especially loved the Packed with Love, waves, anchor, fish, and “packed in brine” images. Stamping in matching colors keeps the look layered but cohesive.

Step 3: Add Second-Generation Stamping

To deepen the texture, I used Black and Root Beer Reactive Ink and stamped a few images using second-generation stamping (inking the stamp, stamping once on scrap paper, then stamping again on the background).

Second Generation Stamping adds subtle depth without overpowering the colors.

Step 4: Add Ink Splatters

Next came one of my favorite steps—ink splatters! Using a fan brush, I flicked Splash, Lemon Drop, and Taffy onto the panel.

Ink Splatters add movement, texture, and that perfectly imperfect mixed media charm.

Watercolor background Mixed Media tag with script stenciling, second generation stamping and die cut fish.

Step 5: Die Cut the Tags

Before cutting, I used my Hero Arts Tag Infinity Die as a viewfinder to decide which parts of the background I wanted to showcase. Once I had the section I wanted to use, I taped my tag die to the watercolor panel and ran it through my Platinum 6 die cutting matchine.

I die cut two tags (4½” x 2⅜”), making sure one included the “Packed with Love” area as a focal point.

Step 6: Ink the Edges

To give the tags a vintage, worn look, I ink blended Root Beer Reactive Ink around all the edges. This step instantly adds depth and contrast,

👉 Root Beer Reactive Ink is my go-to shade for “grunging up” a project.

My preference is to use color-coded blending brushes for ink blending. I find my brushes last longer since I only use one ink colorfamily on each brush.

Mixed Media Tag tutorial showing how to create a tag in 9 easy steps.

Step 7: Add Script for Extra Texture

After studying my tags, I felt they needed a bit of visual “writing,” so I added:

  • CG830 Script Bold Print stamped in Granite Ink on the top right of one tag
  • SA225 Script Stencil (sadly sold out) stenciled in Granite on the top left of the Packed with Love tag
  • But, you can use any stamp or stencil with words that you have. Look through your supplies and see what calls to you.

Subtle script details enhance the mixed media feel without distracting from the main design.

Using distressed Glimmer Hot Foil elements on mixed media tags and cards.

Step 8: Add Foiled Die Cut Focal Points

For something completely new (and honestly, adorable), I added Glimmer hot foiled accents—something I’d never tried on a mixed media project before!

I foiled the two sweet fish from HP131 Glad We Are Tight using white and metallic blue foil with my Spellbinders Glimmer System. I then:

The mix of soft watercolor, stamping, and shiny foil adds beautiful contrast.

Step 9: Finish with Twine or Ribbon

To complete the tags, I simply added twine through the top. This final touch makes them perfect for gift wrapping, journaling, mini albums—or even framing as tiny art pieces.

two mixed media tags with a summery fish/aquatic theme.

You might also be interested in my other blog post where I create with the Packed With Love Collection: Tips and Tricks for Making Two Playful Die Cut Card Designs.

Products Used:

Final Thoughts

Mixed media doesn’t have to be complicated. By working in layers, repeating colors, and letting each step build naturally, you can create beautiful, dimensional projects that feel artistic without being overwhelming.

If you enjoyed this tutorial, I’ll link a couple of my other mixed media posts below for more inspiration. And remember—these techniques work with any stamps, any colors, and any theme. The process is what makes it magic.

Happy crafting!

Darling owl theme valentine. Spellbinders December 2025 Die of the Month | Gel Press Print Card Ideas
Cardmaking Kit · Die cutting · Mixed Media

Spellbinders December 2025 Die of the Month | Gel Press Print Card Ideas

Karen Brown2 Comments
Die cut owl with a flower crown sitting on a branch, framed inside a white Polaroid-style border with a rub-on ‘love’ sentiment. Background and card base are made from textured green, red, tan, and white Gel Press prints

If you love mixed media, adorable woodland critters, and any excuse to use your Gel Press prints, the December 2025 Spellbinders Small Die of the Month – Better Together is going to make your crafty heart flutter. This month’s kit includes two owls and two otters, but for today’s project, I kept things simple with a single sweet owl—perfect for a Valentine’s Day card for my daughter.

How to Use Gel Press Prints in Cardmaking

I reached into my stash of Gel Press prints (one of my favorite studio habits!) and created a simple but visually rich design. The card base is a greenish-yellow pulled print, while the Polaroid-style frame background uses a print with layers of tan, brick red, green, and white. The organic textures and imperfect blends from the prints give this card a soft art journal meets Valentine vibe.

For the focal point, I die cut the owl and assembled her with a tiny flower crown, then perched her on the included die cut branch. She’s framed inside a Polaroid-style photo using the Hero Arts Nesting Journaling Photo Frames, which provide the perfect amount of white space.

A single rub-on sentiment—“love” from the Hero Arts Ornate Frames Transfer Sheet (RT127)—sits on the bottom right of the Polaroid border for an easy, minimal look. Because the background is so full of visual interest thanks to the Gel Press print, the clean sentiment balances everything beautifully.

Handmade Owl Valentine Card using Spellbinders December 2025 Die of the Month Kit + Gel Press Prints.

Key Products Used


✨ Spellbinder Small Die of the Month
✨ Hero Arts Nesting Journaling Photo Frames
✨ Hero Arts RT127 Ornate Frames Rub-On Transfers
✨ Gel Press Prints (my favorite kind of stash!)

Why I Love This Project

This card is:

  • beginner-friendly
  • fabulous for using your stash of Gel Press backgrounds
  • perfect for mixed media fans and Valentine’s Day
  • totally customizable (the kit includes two owls and two otters!)

I also included a process photo showing stacks of my finished Gel Press prints. The print used for the Polaroid background is the top middle print in that photo. I love Gel Press play days, and it feels great putting those prints to use in my cardmaking.

Stacks of completed Gel Press prints in various colors. The top middle print is tan, brick red, green, and white—the print used for the card’s Polaroid background

This simple mixed media Valentine is going to my daughter—and I think she’ll love the sweet little owl with the tiny flower crown.

Handmade mixed media card using everyday supplies + a map. Mixed Media Card Tutorial: A Step-By-Step Guide
cardmaking · Mixed Media · Tutorial

Mixed Media Card Tutorial: A Step-By-Step Guide

Karen Brown2 Comments
How to tutorial for a tattered and torn mixed media travel theme card with a die cut bike, upcycled road atlas background and stenciled Hero Wax accent.

Today, I want to show you how to repurpose and upcycle paper to create a mixed media card.    I started with a map from an old Atlas and a brown paper shopping bag.  I used the bike stamp and die from Hero Arts June card kit as my focal point which I stamped on a panel cut from the shopping bag.

How to Create Mixed Media Cards Step-By-Step:

Above, you can see the repurposed papers that I used on my card. Here was my process:

  • I attached a piece of watercolor cardstock to the back of the Atlas page so that I would have a more substantial panel to work on.  I used Matte Medium to adhere the two pages together.  Dry.
  • To make sure there was no shine and to have the right surface texture for my mixed media project, I applied a layer of Gesso Acrylic Paint to the map. Dry.
Process photo showing how to apply Gesso to prep a mixed media project.
process photo showing stamping on a mixed media card background
  • I stenciled a few spots with the Leaves and Abstract Shapes Stencil with Root Beer ink.
  • I die cut the panel with a Nesting Postage Stamps Infinity Die and then ink blended Fawn and Root Beer along the corners and edges.  I wanted a grungy vintage look.
  • I added watered down blots of Periwinkle and Root Beer. Dab some ink on acetate, spritz with a bit of water and dab on the panel.  Tilt a bit to make it run.  Blot up if you have more ink than you want.
  • Add ink splatters with a fan brush with the same inks used above, which adds color and depth.
  • I did second generation stamping (ink stamp, lightly stamp on scratch paper and then stamp background) with Root Beer ink.  You can see I keep adding layers. 
process photo showing a mixed media background with stamping, stenciling and ink blending.
  • I stenciled Olive Hero Wax over the bottom of my map panel with the Cobblestone Stencil to simulate a road.
  • Tear the bottom left corner off the panel for a really old and tattered look.  Ink blend along the tear line.
  • After looking at my panel I decided I wanted to darken the edges even more, so I added additional ink blending around the edges and corners.
process photo showing olive Hero Wax applied through a Cobblestone stencil.

Bicycle Focal Point:

  • On a panel from the brown paper shopping bag, I stamped the bike from the Hero Studio June card kit.  I left it in the stamp positioner and colored with InkTense colored pencils. Then I restamped the bike for a crisp black look.
  • Die cut bike
  • Ink edges with root beer ink.
A process photo showing a stamped bicycle on an upcycled repurposed panel cut from a brown paper bag and colored with Inktense colored pencils. The panel will be turned into a mixed media card.

Tattered and Worn Base Mat:

  • Cut a second panel from the brown paper bag to act as a base mat.
  • Using the Rough Dot Bold Prints Stamp, stamp with Root Beer ink and Fawn Ink on the second panel (which is slightly larger than the map panel).  Dab a bit here and there, heavier in some places, lighter in others for a vintage look. 
  • In the bottom left corner add some text stamping for interest. This is where the torn edge will be positioned, so this area of the base will be more visible. I Used Vintage Postmarks and Tickets and Vintage Maps and Ledgers again and randomly added numbers etc around the perimeter of the card base.  
  • Ink the edges and corners to darken them.
Process photo showing a vintage look background card mat. The mat was cut from a repurposed upcycled brown paper shopping bag.

I love the inky grungy look of this card!

A mixed media card featuring the June 2025 Hero Studio card kit bike and hat stamps.

Use What You Have! Old maps, shopping bags, sewing patterns, dictionary pages, music books—they all bring unique texture and charm to your cards. Mixed media is about building interest through layers, so don’t be afraid to play!