Die cutting · Mixed Media

3 Easy Mixed Media Cards for Beginners | Line of Being Die

Part of My Continuing Series: My 3-Step Mixed Media Recipe

3 modern abstract faces on a handmade card with a watercolor background.

Sometimes a die set arrives and your brain immediately starts firing off ideas.

That was me with Spellbinders Line of Being die set from Jaycee’s All My Senses Collection.

It’s minimalist. Abstract. Unexpected. Just a few delicate lines forming eyes, a nose, lips… and that tiny heart on the cheek.

It felt modern and artistic — and I knew it deserved something special.

So instead of making one card, I made three.

Three different artistic mixed media takes on the same striking focal point.

And interestingly? Each one feels completely different.

3 Mixed Media cards created with die cut "Line of Being" die cut from Spellbinders.

A Little Mixed Media Context

If you’ve been following along in my new series:

Today’s cards are a little different.

They’re what I’d call Mixed Media Lite.

Understated.
Modern.
Intentional.
Artsy without being busy.

Use #karensmixedmediarecipe so we can follow along with each other’s projects.


Card One: The “Green Picasso” Card

Green Picasso handmade mixed media "Line of Being" card with watercolor background and 5 additional layers.

This card started with a hand-painted watercolor background.

I taped my watercolor paper to a hardboard using painter’s tape and lightly dampened the area where I wanted color.

Using various shades of green, I let the paint move organically — blobs, peninsulas, soft edges. No strict shape.

I used the die plate as a guide to estimate the size of my watercolor “face” (approximately 3 ¼” x 4 ½”).

Once dry, it felt very Picasso-meets-Buddha to me.

There’s quite a bit of white space around the painted area, which keeps the composition modern and breathable.

While brainstorming, I created 3 watercolor backgrounds. I went with the right two and filed the left panel in my premade backgrounds bin.

3 watercolor backgrounds + a bold black die cut creates 3 artsy modern handmade cards
Watercolor backgrounds work so well with mixed media cardmaking.

Subtle Layers (5 Total)

Even though this card feels simple, I added five quiet layers — because as you know, my recipe suggests 4+ layers.

  1. Light Script Stenciling
    Using Fog Reactive Ink, I stenciled two small areas of script. The pattern flows from watercolor into white space, about 1” sections.
  2. Tiny Rub-On Transfers
    Small Asian characters placed strategically. Just enough to intrigue.
  3. Second Generation Stamping
    Miss Detective small eyes, lips, fingerprints, and a heart stamped lightly in black reactive ink. Soft texture — not bold imagery.
  4. Partial Background Stamping
    I inked only portions of a bubble background stamp with Fog ink, bending the stamp to touch the paper selectively. Some impressions land on watercolor, some on white space.
  5. Splatters
    Blue-green and gold splatters to finish.

The Line of Being focal point — die cut from black cardstock — creates dramatic contrast against the organic green.

The sentiment? A small artistic rub-on that says “smile.”

Mounted onto a black A2 base using rounded rectangle infinity dies.

Bold. Modern. Graphic.

Mixed media card with green watercolor face background and black abstract face die cut with a second version in the background with my watercolor paint palette.
Bold but simple black die cuts make such interesting focal points for your mixed media cards.

Card Two: Pink & Green Modern Minimal

This card takes a lighter approach.

I painted:

  • A kidney-shaped pink wash on the right
  • A smaller irregular green circle blending slightly into the pink on the left

Lots of white space.
Lots of breathing room.

Watercolor backgrounds + splatters + black die cuts creates a bold modern mixed media look that works so well for  cardmaking projects.
Colorful splatters elevate almost every mixed media project.

Then I added:

No heavy layering.
No traditional mixed media build-up.

Just artistic restraint.

And I love how eye-catching it feels despite its simplicity.

This card is proof that there’s no strict rule for how many layers a mixed media project must have.

Sometimes less truly is more.

Pink and green modern watercolor card with minimalist black face die cut

Card Three: Gel Press Version

I thought I was finished at two cards.

But overnight I had that creative whisper:

“What about a gel press background?”

So I shopped my stash of gel press prints (this is why I keep them!) and chose one with beautiful movement and color variation.

I:

The premade sentiment sticker finished it effortlessly.

Same focal point.
Completely different mood.

Gel press background card with metallic splatters and abstract line face

Why I Love Making Variations

Creating the same card multiple ways is incredibly instructive.

You learn:

  • How background weight changes a design
  • How much layering is “enough”
  • How focal points behave against organic vs graphic surfaces
  • What feels like you

It’s creative experimentation without pressure.

If you’re new to mixed media, I highly recommend starting with something approachable like my Easy & Addictive | Beginner Mixed Media Tag Tutorial and VIDEO.

For those building their stash, I also shared my 14 Best Cardmaking Products and Supplies for 2026, which might be helpful.

Build Your Cardmaking Toolkit:

If you are looking to equip your crafting space for new projects, these are the products I used today:

Diecutting:

Stamps:

Inks:

Which One Is Your Favorite?

The layered Green Picasso?
The modern Pink & Green?
Or the bold Gel Press version?

I’d truly love to know.


Mixed Media · Tutorial

Ink Smooshing 101 — My Favorite Mixed Media Background Starter

Learn to Create Easy But Beautiful Mixed Media Cards: Part 2 in my Karen’s 3-Step Recipe Series

Mixed media birthday card featuring blue and honey gold ink smoosh backgrounds, layered stamping and stenciling, stitched hexagon die cuts, and a small bee embellishment.

Have you ever looked at a mixed media project and thought, “That’s beautiful… but I have no idea where to start”?

I’ve been there.

After years of playing with inks, stamps, stencils, and paper, I finally realized something important:

Mixed media doesn’t have to be complicated.

That’s when I developed my own simple framework that I now call:

Karen’s Mixed Media Recipe

Step 1: Create an Interesting Background
Step 2: Add 4+ Layers
Step 3: Add a Strong Focal Point

That’s it.

If you missed the introduction to this series, you can read it here:
Mixed Media Made Simple: My 3-Step Recipe for Fun & Easy Tags.

Now today we are diving deep into Step 1 — Backgrounds, and I’m starting with my absolute favorite beginner technique:

Ink Smooshing.

Mixed Media Birthday Card with 6 additional layers added to ink smoosh background. Color palette is blue, gold and cream.

Why Ink Smooshing Is Perfect for Beginners

If you are new to mixed media, this is the technique I always recommend first.

Why?

• No precision required
• Fast and easy to create
• Extremely forgiving
• Every panel turns out unique and interesting

There are no mistakes here. Just layers of beautiful, organic color.

And the more water you use?
The softer and dreamier your background becomes.

You might also enjoy watching my YouTube video: Mixed Media Tags for Absolute Beginners, where I walk you through the ink smoosh process on camera.


Let’s Talk Color (Without Adding a Step 4 😉)

You might be wondering if I should add a Step 4 to my recipe:
Use 1–3 colors.

Color restraint is absolutely important in mixed media.
Most cohesive projects use 1–3 colors. More than that and things can start to feel muddy or chaotic.

But visually, I love the simplicity of a 3-Step Recipe.

So instead of adding a formal Step 4, I treat color choice as a design principle that supports every step.

For today’s project, I chose:

• A neutral tan
• Honey golden yellow (Wild Honey Distress Ink)
Blue Hawaii Reactive Ink

The blue feels calming.
The yellow has energy.
Together they create a beautiful balance.

When choosing multiple colors, try using colors that are next to each other on the color wheel (analogous colors). They blend naturally and beautifully.

Avoid mixing complementary colors (opposites like blue + orange, red + green, yellow + purple) unless you intentionally want a neutral brown — because they will neutralize each other quickly.

Mixed Media birthday card with heat embossing, stamping, letterpress, watercolor bleaching, splatters, stenciling.

Basic Ink Smoosh (Step-by-Step)

Ink smooshing is wonderfully simple.

  1. Dab a water-based ink (Distress Ink or Reactive Ink) onto your craft mat, acrylic block, or acetate.
  2. Spritz with water.
  3. Press watercolor cardstock into the puddle.
  4. Let it sit for 1–5 minutes.
  5. Lift and dry.

That’s it.

The result is a soft, watercolor-style panel full of movement and variation.


Practice Makes Better — We’re Making TWO Backgrounds

Since this post is all about backgrounds, I decided to create a project using two ink smoosh panels.

One panel will become the card background.
The second panel will be die cut into hexagons for our focal point.

This gives us double the practice — and far more visual interest than die cutting from solid cardstock.

Because we created both panels together, the colors coordinate beautifully.

And yes… this is where my hashtag comes in:

If you try this technique, I would love to see it.
Use #karensmixedmediarecipe so we can follow along with each other’s projects.

I think it will be such a fun way to build this series together.


5 Ink Smoosh Variations

I created five variations for this post. Not because you need to do all five every time — but to show how versatile one technique can be.

Pin this graphic for future reference

Five easy ink smooshing ideas for card backgrounds including salt texture, stamping, acetate prints, and multi-color mixed media techniques.
Ink smooshing technique with watercolor cardstock creating soft abstract card background ideas.

1. Single Color Basic Smoosh

I used a neutral cream ink.

Dab ink on mat → spritz → lay panel into puddle → weight with acrylic block → wait 1–5 minutes.

This is a total workhorse background.
Consider making extras for your premade background bin.

Process photo showing basic inksmoosh set-up
Easy neutral background that works with almost any card or tag project.

2. Ink Smoosh + Salt Texture

Create a basic panel.

While still wet, sprinkle salt.
Let dry completely.
Brush off the salt.

The salt absorbs pigment and creates beautiful mottling.

The darker the ink, the more dramatic the effect.

Instant vintage texture.

Process photo showing the Ink Smoosh + Salt Technique with tan ink on watercolor paper
Adding salt to your ink smooshing adds surprising interest and texture.

3. Multi-Color Smoosh

Start like the basic version, but add 2–3 colors in bands or random placement.

This panel is vivid and dynamic — and it’s the one I used to die cut my hexagons.

Remember:
Stick to 1–3 colors that blend nicely.

Process photo showing two color ink smoosh technique (blue and gold)
Using two colors of ink on your ink-smoosh backgrounds adds bold dynamic energy to your projects.

4. Two-Color Ink Smoosh Stamping

Dab ink onto an acrylic block.
Spritz.
“Stamp” onto watercolor cardstock.

Repeat with same or new color until satisfied.

I used tan and blue here — and this panel became the main card background.

Process photo showing Ink Smoosh Acrylic block stamping variation with blue ink on watercolor paper.
Ink smoosh stamping is a great way to have more control on your ink placement.

5. Ink Smoosh with Acetate

Dab ink on acetate.
Spritz.
Bend so only part “kisses” the paper.

This is fantastic for controlled color placement.

I also gently shook the acetate for larger splatters.

Process photo showing Ink Smoosh Acetate variation with yellow ink on watercolor paper.
By bending your ink smoosh acetate, you can add dabs of color where you want.

Shop Your Stash

I keep a bin full of premade backgrounds so I can “shop” when I start a new project.

On Background Days, I make extras.

Today I added three panels to my premade background bin.

Future Karen will thank me.


Let’s Add Layers

Layers are the magic in mixed media.

Here’s what I added to the blue and gold panel (the one I die cut from):

  1. BetterPress Number (Bold Color Mix Numbers BP-243) using Licorice Reactive Ink
  2. Script stencil on about 20% of the card
  3. Removed color through Sparkle Weave stencil using a baby wipe
  4. Stamped coffee stains with Root Beer ink
  5. Water splatters (blotted)
  6. Black splatters
Mixed Media Background panel with addtional layers: BetterPress Number (Bold Color Mix Numbers BP-243) using Licorice Reactive Ink,
Script stencil on about 20% of the card,Removed color through Sparkle Weave stencil using a baby wipe,Stamped coffee stains with Root Beer ink, 
Water splatters (blotted),
Black splatters
Adding additional layers to your ink smoosh background creates interesting depth to your finished card.

To the card background panel, I added:

Dots and squiggles stenciled with iridescent bronze embossing powder
• Fine black splatters

Layers create depth.
Depth creates interest.

And the shine on the background is SO beautiful in person.

Process photo showing mixed media card components ready to assemble with a beautiful metallic heat embossing glow on the watercolor background panel.
Gathering your mixed media elements is always fun.

Focal Point — Hexagons

I love using shapes as focal points.

Hexagons are wonderful because they interlock — almost like puzzle pieces.

I die cut three stitched hexagons from my layered panel.

Two are stacked.
The third nestles into the “V” space.

Then I added the sweetest little bee, die cut from leftover scraps.

Because we created our panels first, the hexagons feel cohesive and integrated — not pasted on.

The blue and honey gold palette moves beautifully across the design.

Mixed Media Birthday Card with Spellbinders Vintage Lavender Fields Stitched Hexagon Die Cut Focal Point with a charming Bee.

Build Your Mixed Media Toolkit

If you’re just getting started with mixed media, here are a few of the essentials I personally use.

Die Cutting:

My Favorite Mixed Media Inks:

Essential Supplies:

Layering Staples:

If you’re building your craft room supplies, you might also enjoy my guide to the 14 Best Cardmaking Products and Supplies, where I share the tools I reach for again and again.


I have a 25 second fast paced reel of this card.


Final Thoughts

If you are new to mixed media, start here.

Ink smooshing builds confidence.
Confidence builds creativity.

And creativity builds layers.

If you try this technique, tag your project with #karensmixedmediarecipe — I would truly love to see what you create.

Next up in this series, we’ll dive deeper into layering magic.

Mixed Media · Tutorial

Mixed Media Made Simple: My 3-Step Recipe for Fun & Easy Tags

Mixed media doesn’t have to mean messy chaos and 47 random products scattered across your desk.

I finally realized that what I needed wasn’t more supplies… I needed a formula.

First of all, I absolutely LOVE the look of mixed media. Secondly? It is the most fun you can have in a craft room. There are no rules. No mistakes. Just happy little outcomes (and sometimes a few gloriously imperfect ones).

But when I first started, I had no idea where to begin. I admired so many artists’ projects… but how did they know what to add next?

After years of playing, experimenting, and making a delightful mess of watercolor paper, I developed my own simple 3-part recipe.

And today I’m sharing it with you.


Karen’s 3-Step Mixed Media Recipe

Step 1: Create an Interesting Background
Step 2: Add 4+ Layers
Step 3: Add a Strong Focal Point

That’s it.

This is Blog Post #1 in a new mixed media series where I’ll walk through each part in detail — visually and step-by-step. If this kind of creative play excites you, be sure to subscribe so you don’t miss the tutorials ahead.

If you try this recipe, I would love to see it.
Use #karensmixedmediarecipe so we can follow along with each other’s projects.

Now let’s walk through today’s tag together.

Stenciled, ink blended tag with rub on transfers with 7 layers.

Step 1: Create an Interesting Background

For today’s tag, I started with a watercolor wash.

I scribbled a brown watercolor marker onto my craft mat, spritzed it with water, and brushed the color onto heavy watercolor paper. If you want deeper color, simply let it dry and repeat the process.

Once dry, I die cut the panel using a 3” x 5” tag die. I love this size because it gives me plenty of creative real estate.

Tan is one of my favorite neutral starting points — it plays beautifully with layered color and keeps everything cohesive.

Process photo of mixed media tan watercolor wash tag background.

Step 2: Add 4+ Layers (Today I Added 7!)

Layers are where the magic happens.

On most of my mixed media projects, I use at least four layers — but often more. The key is variety, contrast, and a little bravery.

Here’s what I added today:

1. Ink Blending

Using water reactive inks (Berry Smoothie and Blue Hawaii) and a blending brush, I blended color onto the lower left portion of the tag — about two-thirds of the surface.

Don’t overthink this step. I started mid-left with Berry Smoothie and worked inward, then added Blue Hawaii to the bottom corner.

There is no “right” placement. Pick a spot. Add color. Assess. Adjust. Keep going.

2. Stenciling

I used the Floral Trove stencil — it’s wonderful for tags because of its 9 different rectangular designs.

Using the same two ink colors as in step 1 keeps everything soft and cohesive. Now my neutral tan base has subtle pattern and depth layered over it.

3. Hero Transfers

I trimmed a 3” x 2” grid element from the Grids and Icons Mixed Media Hero Transfers set and applied it at an angle using a bone folder.

Those black grid lines instantly add structure and contrast.

4. Stamping

This is where personality comes in.

I stamped:

  • A circle coffee stain
  • An ink blot
  • Numbers
  • A postmark
  • Script text

Using Root Beer Brown, Blue Hawaii, and Berry Smoothie keeps everything coordinated.

The goal isn’t to make one stamp stand out — it’s to build subtle interest. Look for shapes, textures, numbers, partial images… don’t stress about perfection.

Process photo of ink blending on tan mixed media watercolor tag with detail of Hero Arts grid rub-on transfer and stamping.

5. Add Words

I die cut a small scrap with printed words (leftover from a previous project — yes, I save almost everything!).

You could also use dictionary scraps, stamped text, or stencil writing. I softened the edges with brown ink.

6. Ink the Edges

Root Beer reactive ink around the edges, finished with a touch of Licorice black, frames the tag and grounds the design.

7. Splatters

I almost always finish with splatters. Today I used blue and black. I removed the top nozzle from a bottle of ink spray and gently flicked the droplets onto the tag.

They unify the layers and add that final touch of “imperfect by design.”


Step 3: Add a Strong Focal Point

For today’s focal point, I used the Love Note Birds die cut.

It’s simple, not overly detailed, and perfectly sized for a tag.

The pink panel was die cut from a leftover watercolor gradient (because scraps are creative gold). I lightly shaded it with leftover black ink on my blending brush to soften it and prevent it from feeling too bright.

I positioned the bird slightly off-center toward the lower left and adhered it directly to the tag.

Off-center placement keeps things interesting.

Finished mixed media tag with 7 layers + a die cut bird focal point.

If you’d like more beginner-friendly inspiration…

My Mixed Media “Cheat Sheets”

Over time, I realized I had dozens of techniques swirling in my head. So I created three sample boards:

  • Background Ideas
  • Layering Ideas
  • Focal Point Ideas
In process photo of mixed media tag background + my backgrounds sample board.

I’m a very visual person, and these boards act like my creative reference system when I sit down to craft. The middle circle on the right was the panel I used for today’s tag.

In upcoming posts, I’ll reveal them in detail — but here’s a small peek. (Just enough to inspire… not overwhelm 😉)


Mixed Media Is Imperfect by Design

Mixed media can feel intimidating.

But here’s what I’ve learned:

It’s imperfect by design.

Little missteps? They add charm. Unexpected marks? They add character.

Watching a simple piece of watercolor paper transform layer by layer is one of the most satisfying creative journeys.

And the best part? There are no mistakes — just more layers.


Coming Next in This Series

Over the next few posts, I’ll be diving deeper into:

  • How to build beautiful mixed media backgrounds
  • My favorite layering combinations
  • How to create strong focal interest
  • The best supplies for beginners

In my next post, Ink Smooshing 101, we take a deeper dive into Step 1 of my Mixed Media Recipe and explore five ways to create beautiful watercolor-style backgrounds using simple water-based inks.

You might also want to check out my Sneaker Bouquet scene card.

Stay tuned — this is going to be fun.

Mixed Media · Tutorial · Video

How to Create Easy Mixed Media Tags for Beginners (Step-by-Step Tutorial + Video)

Easy & Addictive Mixed Media Tag Graphic with photo of two mixed media tags.

If you’ve ever wanted to try mixed media but weren’t sure where to start, this is the perfect beginner-friendly project.

In this tutorial, I’ll show you how to create easy mixed media tags using simple supplies and a few layering techniques that are both fun and surprisingly addictive.

These tags are a great way to experiment with color, texture, and stamping—without feeling overwhelmed.

Video

👉 Or watch on YouTube HERE.

This post coordinates with my YouTube video where I walk through every step in real time. If you like seeing the process in action, be sure to watch the video alongside this tutorial.

When creating mixed media projects, I use my 3 Step Mixed Media Recipe.

👉 You can find the tools I use most often on my Favorite Cardmaking Supplies page

Exact supplies used in this post are at the bottom of this post.

Why This Is a Great Beginner Mixed Media Project

  • No pressure to be perfect
  • Great way to practice layering
  • Uses simple, repeatable techniques
  • Each tag turns out unique

Mixed Media Tags for Absolute Beginners: 11 Easy Steps

Closeup of two completed vintage look mixed media tags
Using die-cut initials or hearts creates strong focal interest on mixed media projects.

📌 Pin this for later

Step 1: Create a Simple Ink Smoosh Background

Add three shades of water-based reactive ink to your craft mat, spritz generously with water, and press the watercolor paper into the ink. Let sit in the puddle with an acrylic block on top for 1 – 5 minutes. The more water you use, the softer the panel. I used Key Lime Fizz, Pool Party and Blue Hawaii on my tags.

If you are interested in learning how to create an easywatercolor background, I have step-by-step directions in my tutorial how to make mixed media tags in 9 easy steps.

Step 2: Dry Your Panel

Let the panel air dry or speed things up with a heat tool. If it warps, flatten it under a book once dry.

Process photo of my two ink smoosh watercolor background panels.
Ink Smoosh background panels are the easiest way to start a beginner mixed media project.

Step 3: ViewFinder Trick

I like to use my tag die as a viewfinder to decide which part of my panel I want to feature.

Step 4: Die Cutting

Once I’m happy, I tape the tag die in place and run it through my Platinum 6 die cutting machine. It is one of the tools I rely on regularly—several of them are included in my list of the best cardmaking supplies for 2026.

Step 5: Stenciling

Now its time to start layering on top of our background. I add stenciling to about two thirds of each tag using the same reactive ink colors that I used in Step 1. You can use just about any stencil you have. I chose two very different designs and I love how they both turned out!

Close-up of my aqua blue mixed media tag with personalized die cut initials (KB) and Hero Arts rub-on Hero Transfers.
Stenciling is one of the cornerstone layers for mixed media projects.

Step 6: Second-Generation Stamping

This is one of my favorite mixed media techniques.

Ink your stamp, stamp once on scrap paper, then immediately stamp onto your background.

The lighter impression adds depth and texture while keeping things loose and organic.

Use the same colors you used on your background in Step 1. This keeps everything cohesive and soft and adds subtle interest without overpowering the background.

Mixed media art tag created by layering 6 additional techniques on top of my ink smoosh watercolor background.
Rub on transfers are one of the easiest layers to add to your mixed media tags.

Step 7: Add Rub-On Transfers for Easy Texture

Hero Transfers are one of the easiest ways to add detail and interest—no drying time required. Today, I used the Grids and Icons Transfers.

Cut a small section, place it on your tag, and rub it on using a bone folder or craft stick. I like angling my transfers slightly for a more vintage, organic look.

Step 8: Add Some Grunge and Ink Blend the Edges

Ink blending around the edges of the tags adds instant definition and helps ground all those layers.

This is where everything starts to come together. I like using a darker neutral ink like Root Beer to “grunge up” the edges just a bit.

Colorful ledger style mixed media tag with die cut floral sunbursts and a cheerful orange heart.
Ink blending around the edges of a mixed media tag add the perfect amount of vintage grunge to your projects.

Step 9: Add Splatters

Using a fan brush, splatter water (then blot with a cloth) and them the same inks used above. This step instantly adds movement and that “mixed media magic” feel.

Process photo showing water splatters and ink splatters on my in-process mixed media art tag.
Splatters are the perfect finishing touch for mixed media projects.

Step 10: Add Focal Points

Now it’s time to bring in focal elements.

I used small die-cut images, lightly distressed the edges, and glued them directly to the tags. Keep the focal points simple—they should complement the background, not compete with it.

A good rule of thumb: if your background is busy, keep your focal point clean and contained.

Best mixed media art tag illustrating how to create one in 11 easy steps.

Step 11: Finish with Twine or Ribbon

Thread twine or ribbon through the top of each tag to finish them off.

This final step adds texture, softness, and makes the tags feel complete. You can also tuck tags into cards, journals, or gift packaging.

You might also enjoy another recent Mixed Media Tag Tutorial I posted last month. Or if you’d like to try a mixed media card instead, here is how I create one step-by-step, with loads of illustrative photos.

Mixed Media Toolbox

These are the supplies that I personally use:

Mixed Media · papercrafting · Tutorial

How to Make Mixed Media Tags in 9 Easy Steps | Tutorial

Two handmade mixed media tags featuring Hero Arts Partners in Brine stamps, watercolor gradients in blue, yellow, and pink, layered stamping, ink splatters, and foiled fish accents.

Creating stunning, multi-layered mixed media tags is easier than you think—here is an easy to follow 9-step tutorial.

When creating mixed media projects, I use my 3-Step Recipe.

The techniques I’m sharing today can be used with almost any stamp set or focal elements you already have.

If mixed media feels a little intimidating—don’t worry. This project is about building layers slowly, having fun with color, and letting the process guide you. Let’s walk through it step by step!

👉 I’ll link to the exact supplies at the bottom of this post.

Aquatic theme mixed media tag using Hero Arts Partners in Brine Stamp set and Glad We Are Tight BetterPress letterpress fish plates.

Step 1: Create a Watercolor Gradient Background

When I saw the Hero Arts Partners in Brine Stamp Set, I immediately pictured a colorful, summery mixed media background filled with texture, stamping, and playful details.

I began by taping a 6″ x 6″ panel of watercolor paper to a hardboard using washi tape. On my craft mat, I dabbed Hero Arts Reactive Ink, spritzed it with water, and used a brush to watercolor a smooth gradient.

I blended the colors so they flowed from blue into green, yellow, orange, and finally pink. Since this stamp set has an aquatic theme (which always feels like summer to me), I wanted bright, happy, sun-washed color.

Dry your panel naturally or speed things up with a heat gun. If your paper warps, simply flatten it later with a book.

Close-up of mixed media tag featuring layered stamping, script texture, inked edges, and a foiled fish accent on a colorful watercolor background.

Step 2: Stamp in Coordinating Colors

Once dry, I stamped images from the CM834 Partners in Brine stamp set using the same inks:

I especially loved the Packed with Love, waves, anchor, fish, and “packed in brine” images. Stamping in matching colors keeps the look layered but cohesive.

Step 3: Add Second-Generation Stamping

To deepen the texture, I used Black and Root Beer Reactive Ink and stamped a few images using second-generation stamping (inking the stamp, stamping once on scrap paper, then stamping again on the background).

Second Generation Stamping adds subtle depth without overpowering the colors.

Step 4: Add Ink Splatters

Next came one of my favorite steps—ink splatters! Using a fan brush, I flicked Splash, Lemon Drop, and Taffy onto the panel.

Ink Splatters add movement, texture, and that perfectly imperfect mixed media charm.

Watercolor background Mixed Media tag with script stenciling, second generation stamping and die cut fish.

Step 5: Die Cut the Tags

Before cutting, I used my Hero Arts Tag Infinity Die as a viewfinder to decide which parts of the background I wanted to showcase. Once I had the section I wanted to use, I taped my tag die to the watercolor panel and ran it through my Platinum 6 die cutting matchine.

I die cut two tags (4½” x 2⅜”), making sure one included the “Packed with Love” area as a focal point.

Step 6: Ink the Edges

To give the tags a vintage, worn look, I ink blended Root Beer Reactive Ink around all the edges. This step instantly adds depth and contrast,

👉 Root Beer Reactive Ink is my go-to shade for “grunging up” a project.

My preference is to use color-coded blending brushes for ink blending. I find my brushes last longer since I only use one ink colorfamily on each brush.

Mixed Media Tag tutorial showing how to create a tag in 9 easy steps.

Step 7: Add Script for Extra Texture

After studying my tags, I felt they needed a bit of visual “writing,” so I added:

  • CG830 Script Bold Print stamped in Granite Ink on the top right of one tag
  • SA225 Script Stencil (sadly sold out) stenciled in Granite on the top left of the Packed with Love tag
  • But, you can use any stamp or stencil with words that you have. Look through your supplies and see what calls to you.

Subtle script details enhance the mixed media feel without distracting from the main design.

Using distressed Glimmer Hot Foil elements on mixed media tags and cards.

Step 8: Add Foiled Die Cut Focal Points

For something completely new (and honestly, adorable), I added Glimmer hot foiled accents—something I’d never tried on a mixed media project before!

I foiled the two sweet fish from HP131 Glad We Are Tight using white and metallic blue foil with my Spellbinders Glimmer System. I then:

The mix of soft watercolor, stamping, and shiny foil adds beautiful contrast.

Step 9: Finish with Twine or Ribbon

To complete the tags, I simply added twine through the top. This final touch makes them perfect for gift wrapping, journaling, mini albums—or even framing as tiny art pieces.


two mixed media tags with a summery fish/aquatic theme.

You might also be interested in my other blog post where I create with the Packed With Love Collection: Tips and Tricks for Making Two Playful Die Cut Card Designs.

Products Used:

Final Thoughts

Mixed media doesn’t have to be complicated. By working in layers, repeating colors, and letting each step build naturally, you can create beautiful, dimensional projects that feel artistic without being overwhelming.

If you enjoyed this tutorial, I’ll link a couple of my other mixed media posts below for more inspiration. And remember—these techniques work with any stamps, any colors, and any theme. The process is what makes it magic.

Happy crafting!

Cardmaking Kit · Die cutting · Mixed Media

Spellbinders December 2025 Die of the Month | Gel Press Print Card Ideas

Die cut owl with a flower crown sitting on a branch, framed inside a white Polaroid-style border with a rub-on ‘love’ sentiment. Background and card base are made from textured green, red, tan, and white Gel Press prints

If you love mixed media, adorable woodland critters, and any excuse to use your Gel Press prints, the December 2025 Spellbinders Small Die of the Month Better Together is going to make your crafty heart flutter. This month’s kit includes two owls and two otters, but for today’s project, I kept things simple with a single sweet owl—perfect for a Valentine’s Day card for my daughter.

How to Use Gel Press Prints in Cardmaking

I reached into my stash of Gel Press prints (one of my favorite studio habits!) and created a simple but visually rich design. The card base is a greenish-yellow pulled print, while the Polaroid-style frame background uses a print with layers of tan, brick red, green, and white. The organic textures and imperfect blends from the prints give this card a soft art journal meets Valentine vibe.

For the focal point, I die cut the owl and assembled her with a tiny flower crown, then perched her on the included die cut branch. She’s framed inside a Polaroid-style photo using the Hero Arts Nesting Journaling Photo Frames, which provide the perfect amount of white space.

A single rub-on sentiment—“love” from the Hero Arts Ornate Frames Transfer Sheet (RT127)—sits on the bottom right of the Polaroid border for an easy, minimal look. Because the background is so full of visual interest thanks to the Gel Press print, the clean sentiment balances everything beautifully.

Handmade Owl Valentine Card using Spellbinders December 2025 Die of the Month Kit + Gel Press Prints.

Key Products Used


Spellbinder Small Die of the Month
Hero Arts Nesting Journaling Photo Frames
Hero Arts RT127 Ornate Frames Rub-On Transfers
✨ Gel Press Prints (my favorite kind of stash!)

Why I Love This Project

This card is:

  • beginner-friendly
  • fabulous for using your stash of Gel Press backgrounds
  • perfect for mixed media fans and Valentine’s Day
  • totally customizable (the kit includes two owls and two otters!)

I also included a process photo showing stacks of my finished Gel Press prints. The print used for the Polaroid background is the top middle print in that photo. I love Gel Press play days, and it feels great putting those prints to use in my cardmaking.

Stacks of completed Gel Press prints in various colors. The top middle print is tan, brick red, green, and white—the print used for the card’s Polaroid background

This simple mixed media Valentine is going to my daughter—and I think she’ll love the sweet little owl with the tiny flower crown.

cardmaking · Mixed Media · Tutorial

Mixed Media Card Tutorial: A Step-By-Step Guide

How to tutorial for a tattered and torn mixed media travel theme card with a die cut bike, upcycled road atlas background and stenciled Hero Wax accent.

Today, I want to show you how to repurpose and upcycle paper to create a mixed media card.    I started with a map from an old Atlas and a brown paper shopping bag.  I used the bike stamp and die from Hero Arts June card kit as my focal point which I stamped on a panel cut from the shopping bag.

How to Create Mixed Media Cards Step-By-Step:

Above, you can see the repurposed papers that I used on my card. Here was my process:

  • I attached a piece of watercolor cardstock to the back of the Atlas page so that I would have a more substantial panel to work on.  I used Matte Medium to adhere the two pages together.  Dry.
  • To make sure there was no shine and to have the right surface texture for my mixed media project, I applied a layer of Gesso Acrylic Paint to the map. Dry.
Process photo showing how to apply Gesso to prep a mixed media project.
process photo showing stamping on a mixed media card background
  • I stenciled a few spots with the Leaves and Abstract Shapes Stencil with Root Beer ink.
  • I die cut the panel with a Nesting Postage Stamps Infinity Die and then ink blended Fawn and Root Beer along the corners and edges.  I wanted a grungy vintage look.
  • I added watered down blots of Periwinkle and Root Beer. Dab some ink on acetate, spritz with a bit of water and dab on the panel.  Tilt a bit to make it run.  Blot up if you have more ink than you want.
  • Add ink splatters with a fan brush with the same inks used above, which adds color and depth.
  • I did second generation stamping (ink stamp, lightly stamp on scratch paper and then stamp background) with Root Beer ink.  You can see I keep adding layers. 
process photo showing a mixed media background with stamping, stenciling and ink blending.
  • I stenciled Olive Hero Wax over the bottom of my map panel with the Cobblestone Stencil to simulate a road.
  • Tear the bottom left corner off the panel for a really old and tattered look.  Ink blend along the tear line.
  • After looking at my panel I decided I wanted to darken the edges even more, so I added additional ink blending around the edges and corners.
process photo showing olive Hero Wax applied through a Cobblestone stencil.

Bicycle Focal Point:

  • On a panel from the brown paper shopping bag, I stamped the bike from the Hero Studio June card kit.  I left it in the stamp positioner and colored with InkTense colored pencils. Then I restamped the bike for a crisp black look.
  • Die cut bike
  • Ink edges with root beer ink.
A process photo showing a stamped bicycle on an upcycled repurposed panel cut from a brown paper bag and colored with Inktense colored pencils.  The panel will be turned into a mixed media card.

Tattered and Worn Base Mat:

  • Cut a second panel from the brown paper bag to act as a base mat.
  • Using the Rough Dot Bold Prints Stamp, stamp with Root Beer ink and Fawn Ink on the second panel (which is slightly larger than the map panel).  Dab a bit here and there, heavier in some places, lighter in others for a vintage look. 
  • In the bottom left corner add some text stamping for interest. This is where the torn edge will be positioned, so this area of the base will be more visible. I Used Vintage Postmarks and Tickets and Vintage Maps and Ledgers again and randomly added numbers etc around the perimeter of the card base.  
  • Ink the edges and corners to darken them.
Process photo showing a vintage look background card mat.  The mat was cut from a repurposed upcycled brown paper shopping bag.

I love the inky grungy look of this card!

A mixed media card featuring the June 2025 Hero Studio card kit bike and hat stamps.

Use What You Have! Old maps, shopping bags, sewing patterns, dictionary pages, music books—they all bring unique texture and charm to your cards. Mixed media is about building interest through layers, so don’t be afraid to play!

BetterPress · Die cutting · Mixed Media

How to Create Mixed Media Backgrounds for Your Cards

Creating mixed media backgrounds is one of the most fulfilling ways to express creativity in cardmaking, and it’s a fantastic way to showcase your favorite tools and techniques. In this project, I flipped my usual process by starting with the background, rather than the focal point. The emphasis here is on the Script Text BetterPress Plate, an intricate design with a vintage, not-quite-legible script that adds the perfect textured backdrop.

🛠 Step-by-Step Instructions

  • Start with the Background: For this project, the focus was the Script Text BetterPress Plate. Begin by die cutting an oval template using the Scallops and Stitched Edge Ovals die set. Save the oval itself, but use the negative panel (with the oval opening) as an inking guide.
  • Ink with BetterPress: Place the panel over the Script Text BetterPress Plate and use Best Ever Craft Tape to hold it in place. Ink only the oval opening using Black BetterPress ink on Porcelain BetterPress Paper.
  • Important: Remove the inking guide before running the plate through your Platinum 6 machine.
    • 🐢 Tip: Use “SUPER SLOMO” speed to get the best letterpress impression.
  • Add a Watercolor Wash: Apply a light Salty Ocean watercolor wash to the center oval portion of your letterpressed background. Let dry completely.
  • Stamp Texture: Using Hero Arts Mixed Textures Stamp Set, ink up some paint splatter stamps with Salty Ocean and lightly mist the stamp with water for a more vintage look. Stamp the background 3-4 times.
  • Add Paint Splatters: Use a fan brush to add Salty Ocean paint splatters for added depth.
  • Distress the Panel Further:
    • Dilute Salty Ocean on your craft mat.
    • Dab a small portion the background panel into the ink pool 3–4 times.
    • Let the ink run slightly for an authentic mixed media effect.
  • Die Cut Blooms: Use the Layered Wildflower die set by Lisa Horton to create floral accents. This entire project features elements from Lisa Horton’s Wildflower Collection.
  • Sentiment Touch: Use a “For You” wax seal from a previous Wax Seal of the Month Kit.
  • Final Touches:

💌 Bonus Project: Layered Die Cut Background

For a second card using the same supplies:

  • Begin with a plaid base in navy, merlot, and aqua. This was cardstock I bought at a Cardmaking Convention.
  • Layer a Merlot scallop oval, Nautical Navy oval, and a Waterfall stitched oval using the Scallop and Stitched Edge Ovals dies and ColorWheel Cardstock.
  • Spotlight a single merlot wildflower die cut from Lisa Horton’s Layered Wildflower set.
  • Add a gold bow (included in the die set) for a subtle accent.
  • Finish with a “From the Heart” sentiment — a versatile option, perfect for sympathy cards.

I hope you found some inspiration today.

Handmade mixed media card featuring letterpress script background, watercolor textures, and layered wildflower die cuts from Lisa Horton’s Wildflower Collection.

Thanks for stopping by!

Die cutting · Mixed Media

Spooky Fun | Die Cut Halloween Cards

Bold colorful handmade  Halloween card backgrounds combinderd with Spellbinders Happy Haunting die kits to create 2 fun cards.

Halloween is just around the corner, and what better way to get into the spirit than by creating some spooky yet charming Halloween cards? Spellbinders has just released an adorable collection called Happy Haunting that is SO fun! I created two cards today that I am going to send to my daughters. I used Witchin” Heels (S3-525) and Woof or Treat (S3-521).

Hamdemade Halloween scene card with a witch silhouette on a broom flying though a vivid  sunset. created with orange and yellow liquid watercolor.  Witchin' Heel by Spellbinders S3-525

Spooky (and Cute!) Card Designs

For a simple yet delightful card, I created a dramatic sunset background to contrast with my sparkly witchy silhouette. I love using Liquid Watercolors because they are so vivid.

My Design Process:

  • I started my design process by creating two bold backgrounds using liquid watercolors.
  • Witchin’ Heels background: I brushed water onto a watercolor paper panel and then used the Dandelion Yellow Liquid Watercolor eye-dropper to drop color onto the paper. I added yellow at the top and bottom of the panel and dropped Orange in the middle. I then used my mini-mister sprayer to add water to the colors, tilting different directions so that the colors blended and flowed. I repeated this process a couple of times.
  • Woof or Treat backgound: I repeated the process for my purple panel using Indigo and Neon Brights Pink Liquid Watercolors. Since I didn’t have purple watercolor I created my own by dropping a big blob of Indigo ink and then putting a smaller drop of pink in the center. I spitzed with water and then tilted to move the ink. I added several layers for an intense color.
  • I used my heat tool to speed up the drying process.
  • Below, you can see a photo of my completed backgrounds.
  • Die cutting was next. I used Black Glitter Paper for the Witch and added purple accents die cut from my purple watercolor panel. For my ghostly pup, I used khaki and added a hint of shading with a blending brush.
  • To frame my little trick-or-treater, I used my Scallop Label Infinity Dies. I also added a little dimension with foam squares and craft foam.
Adorable Woof or Treat (by Spellbinders) handmade card of a Dog trick-or-treating as a ghost with a pumpkin.  S3-521

Key Supplies Used:

How to create colorful vivid card backgrounds with liquid watercolors.

Final Thoughts:

I feel like each of these cards has a little bit of seasonal magic combined with crafty love. I adore the bold colors acheived with liquid watercolors.

I hope you found some inspiration today. Thanks for stopping by!

Karen

cardmaking · Mixed Media · Stamping

Hero Arts | Man Card Monday | Ramen Birthday Card

Man Card Monday masculine birthday card for the Foodie

Ramen Card for the Foodie in Your Life

Masculine cards can be tricky, but when I saw Hero Arts Ramen Stamp and Die Bundle, I knew it would be the perfect set for my son-in-law’s birthday. He is a real foodie and I love the fun sentiment included!

How to Make an Ink Smoosh Background

I started by making my “Ink Smoosh” background. I dabbed Fawn, Papaya, Fog, Paradise and Pool Party inks in separate pools on my craft mat and spritzed with water. I then dipped a piece of watercolor paper in the puddle and let it dry. I did this four times.

Next, I stamped my images and then colored in with Artist Alcohol Markers. Die cutting was next. I also used my Rounded Rectangles Infinity dies to trim my background, mat and card base. The final step was to assemble my card.

Graphic Mixed Media birthday card for the masculine Foodie in your life.
Products Used: